I find architectural space an exciting source of inspiration in my drawing and writing. As with my textiles or my horse drawings, I am working with and describing an under-the-radar sensual experience , in this case an experience of being in a given space, and usually quite an informal and personal one.
Patriothall Gallery, Edinburgh 2014
I am interested in exploring architectural issues, both from a practical/ecological and a subjective viewpoint. In my second blog, “Thinking it”, I am developing these ideas, focussing on the writings of architect, Christopher Alexander.
- Alexander Riff 1
- Alexander Riff 5
- Alexander Riff 4
- Alexander Riff 4
- Alexander Riff 3
Scion House Exhibition 2012
Diana uses the traditional print technique of stone lithography to make her prints. This technique allows for a wide range of expressive mark-making, from the most refined lines to the most dramatic smudges and streaks. The Edinburgh Printmakers Workshop has excellent facilities for this form of printmaking.
She has recently been working on a sequence of prints centred on interior/exterior aspects of space, in particular at the famous Schindler House in Los Angeles. This project was originally inspired by the work of Japanese photographer, Hiroshi Sugimoto.
- Scion House Exterior 5
- Scion House Exterior 8
- Scion House Exterior 7
- Scion House Exterior 1
- Scion House Interior 3
- Scion House Interior 1
- Scion The Dark Corner
Red Tree Exhibition, Stirling 2011
A series of prints and monoprints inspired by the atmosphere of Stirling Castle, and the houses around it..
- Red Tree Stirling Castle
- Glacial Edge screen print by Diana Hand
- Red Tree Present and Past
Pink Houses 2010
This a series of stone lithographs made at the Edinburgh Printmakers Studio, and based on the sculptural and architectural properties of red pressed paper radiator corner protectors.
- Pink Building 1
- Pink Buildings 2
- Pink buildings 3
- Pink buildings 4
- Pink buildings 5
Japanese Flowers 2009
This is a series of stone lithographs made at Edinburgh Printmakers Workshop and based on a detail of a Japanese print by Utamaro. The prints show the process of gradually deleting or reducing the first image by scraping away the surface on the stone.
Svalbard Seed Bank 2008
I was fascinated by the technology and architecture of the Seed Bank in Svalbard, and also its remote and bleak setting. I have tried to convey something of this combination of a primitive arctic landscape with ultra-modern architecture in these drypoint prints.
- Svalbard 1
- Svalbard 2
- Svalbard 3